The aim of this paper is to examine the indigenous San cultural identity that
transcends ecological zones across the borders of Botswana, Namibia and South Africa respectively.
The paper explores the representation of borders and boundaries within traditional culture,
dance and music. Dance, music, material art and craft, if broadly defined, become a medium
through which San women and men narrate their experiences to a broader audience. The
paper contends that giving voice to the San: in the many forms that such voice is captured, will
significantly enhance our understanding of indigenous knowledge systems and thus better guide
strategies towards transformation of modern southern African societies. The discussion aims to
showcase San indigenous knowledge systems and creativity, and shift the discourse from a
‘marginalised and suffering only’ sphere to appreciation of their voices through culture, art,
music and dance. The article suggests that the San artistic contribution, the articulation of their
specific experiences and traditional knowledge enjoy significant attention across political
boundaries.