In Collingwood Bay, people celebrate the individual saints after which each Anglican church is named. These church festivals are a combination of Christian worship and traditional music and dances. They vary from small, village-based happenings to large regional performances in which objects and food are exchanged. For the Maisin people, the festivals not only express dedication to the church, they also embody the spirit of past clan festivities that connected clans and commemorated clan ancestors. This article 1 The research on which this article is based was financed by the Netherlands Foundation for the Advancement of Tropical Research (WOTRO) and the Radboud University of Nijmegen, Netherlands. An earlier version of this article was presented as a paper, “Performing Bodies—Constructing Identities: Church Festivals in Collingwood Bay, Papua New Guinea,” at the Annual Conference of the Australian Anthropological Society (AAS) in Melbourne in 2004. I thank the anonymous reviewer for Visual Anthropology for providing useful comments and suggestions.
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discusses how, for the Maisin people, church festivals provide a contemporary arena in which various identities, emotions, and knowledge as well as affiliations are actually embodied and expressed visually.